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“Eyes Wide Shut” might not seem to be as epochal or predictive as some in the other films on this list, but no other ’90s movie — not “Safe,” “The Truman Show,” or even “The Matrix” — left us with a more exact perception of what it would feel like to live from the 21st century. Within a word: “Fuck.” —DE
This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who opt to go to 1 last party now that high school is over. Dever's character has on the list of realest young lesbian stories you'll see in a very movie.
The terror of “the footage” derived from watching the almost pathologically ambitious Heather (Heather Donahue) begin to deteriorate as she and her and her crew members Josh (Joshua Leonard) and Mike (Michael C. Williams) get lost from the forest. Our disbelief was successfully suppressed by a DYI aesthetic that interspersed reduced-quality video with 16mm testimonials, each giving validity towards the nonfiction concept in their very own way.
Opulence on film can sometimes feel like artifice, a glittering layer that compensates for an absence of ideas. But in Zhang Yimou’s “Raise the Red Lantern,” the utter decadence on the imagery is simply a delicious more layer to some beautifully created, exquisitely performed and utterly thrilling bit of work.
Gauzy pastel hues, flowery designs and lots of gossamer blond hair — these are some of the images that linger after you arise from the trance cast by “The Virgin Suicides,” Sofia Coppola’s snapshot of five sisters in parochial suburbia.
The second of three small-funds 16mm films that Olivier Assayas would make between 1994 and 1997, porn website “Irma Vep” wrestles with the inexorable presentness of cinema’s past in order to help divine its future; it’s a lithe and unassuming piece of meta-fiction that goes every one of the way back for the silent period in order to reach at something that feels completely new — or that at least reminds audiences of how thrilling that discovery could be.
A cacophonously intimate character study about a woman named Julie (a 29-year-previous Juliette Binoche) who survives the car crash that kills her famous composer husband and their innocent young daughter — and then tries to manage with her decline by dissociating from the life she once shared with them — “Blue” devastatingly sets the tone for the trilogy that’s less interested in “Magnolia”-like coincidences than in refuting the idea that life is ever as understandable as human subjectivity (or that of a film camera) can make it appear.
“To me, ‘Paris Is Burning’ is such a gift during the perception pornworld that it introduced me to the world and also to people who were very much like me,’” Janet Mock told IndieWire in 2019.
Instead of acting like Adèle’s knight in shining armor, Gabor blindfolds himself and throws razor-sharp daggers at lena paul her face. Over time, xmxx however, the belief these lost souls place in each other blossoms into the kind of ineffable bond that only the movies can make you believe in, as their act soon takes on an erotic quality that cuts much deeper than sex.
And yet, for every bit of progress Bobby and Kevin make, there’s a setback, resulting inside a roller coaster of hope and disappointment. Charbonier and Powell place the boys’ abduction within a larger context that’s deeply depraved and disturbing, still they find a suitable thematic balance that avoids any perception of exploitation.
The year Caitlyn Jenner came out to be a trans woman, this Oscar-successful biopic about Einar Wegener, one of many first people to undergo gender-reassignment surgery, helped to further more enhance trans awareness and heighten visibility with the Neighborhood.
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From that rich premise, “Walking and Talking” churns into a characteristically low-key but razor-sharp drama about the complexity of women’s interior lives, as petite twink gets his tight ass fucked by the tv installer the writer-director brings such deep oceans of feminine specificity to her dueling heroines (and their palpable display screen chemistry) that her attention can’t help but cascade down onto her male characters as well.